Histórico actividades


Since the last Beefeater In-Edit, three other In-Edits have taken place around the World (Chile, Brazil and Germany). The winning documentaries in their respective national sections are screened in a special, free session.



Music From the Moon

Carsten Christochowitz, Christian Hund, Uwe Wältring / Germany / 2009 / VOSI

A travelling puppeteers show (Hypno Theatre) visits Iceland and Greenland with its art. Their voyage echoes music (with Sigur Ros, Mum and Emiliana Torrini) but also cookery, education, beliefs and Nordic character. Intimate sounds and postcard-perfect landscapes. 

Presentation with the three directors



Electrodomésticos: el frío misterio

Sergio Castro / Chile / 2009 / VOSI

The saga of Santiago de Chile's most unusual (and immortal) band, from 1982 – under dictatorship – until today, transformed into an elegant commentary on community, secrecy and innovation. The coldest and most modern trio of Chilean new wave. 

Presentation with Sergio Castro



Filhos de Jôao, O admirável mundo Novo Baiano

Henrique Dantas / Brazil / 2009 / VOSE

The evangelism of the emblematic group, Novos Baianos. Hedonist freaks, football and rock addicts, the NB's would become the most successful group in Tropicalism. Original footage and witnesses like Tom Zé chime in to create a moving and passionate narrative. 

Presentation with Henrique Dantas

» Auditori Blanquerna. Saturday 5th from 18:00h
For free (just depending on the venue capacity)

One last night to dance and say goodbye. Evening Program:


21:00h Opening doors. 

21:30h Welcome: Roda de Samba

22:30 h Showcase: Paulinho Boca singing Novos Baianos

23:15 h DJs. Festival staff play their loved music . Everything for everyone.

» La [2]. Nou de la Rambla 119. 21h - 5h
Entrada libre / Entrada lliure / Free entry

As we are also a little demonic, we’re repeating our London’s Backstage All Night Marathon on the night of October 31st. Three epic concerts filmed by Murray Lerner at the Isle of Wight will headline.



 Leonard Cohen: Live at the Isle of Wight 

Murray Lerner - USA – 2009 – 66' 

A mystical, longhaired Leonard Cohen stars in a new Lerner rehash of the Isle of Wight 1970 universe. Further gone than his audience, the poet that loved women unfolds his charms and freezes anarchy in a whisper. Be afraid. 



 Blue Wild Angel: Jimi Hendrix Live at The Isle of Wight 

Murray Lerner - USA – 2002 – 118'

The Apocalypse Now-like chaos of the Isle of Wight 1970 is the rugged landscape before which the great, black guitar-hero burns in his concert on August 31st, at 2am. From "God Save the Queen" to "Purple Haze" in 118 unforgettable minutes of acid rock engulfed in flames. 



Listening to You: The Who at The Isle of Wight Festival

Murray Lerner - UK – 1970 – 86'

A thousand thrashes and two thousand guitar slashes. 85 minutes of the world's greatest group let rip against everything. Classics, Tommy, rock'n'roll and jazz standards ("Young Man Blues") and even an unreleased number ("Water"). Fringes to the wind and drums shredded to ribbons. Unforgettable, dear friends. 

Buy your voucher here.

» Aribau Club 1. Night of 31st to 1st, from 24:15h
from 6€ to 11€

If there were a Mount Rushmore of American musical documentaries, Murray Lerner’s face would figure among those of Albert Maysles, D.A. Pennebaker and Martin Scorsese. His capacity to furnish us with some of the most electrifying, visionary and inspiring moments in popular music is outstanding. And the list, heartstopping: Johnny Cash, Bob Dylan, The Who, The Doors, Miles Davis, Jimi Hendrix... And, without avoiding the contexts and conjunctures in which they took place: the creation of a new musical culture, aesthetic, and political, surrounding the Newport Festival in Festival!, the conflict between art and money, music and business  in Message to Love: The Isle of Wight Festival, or the dark – and delirious – side of the Chinese cultural revolution in  From Mao to Mozart: Isaac Stern in China. In a moment of particular exacerbation with the visual culture, it becomes especially interesting to discover the role that avant-garde poetry plays in his conception of the documentary, or how directing has led him to write, film and edit almost all his films, not just for the DIY element, but moreover for the command of materials typical of any creator worth their salt.

» Auditori Blanquerna. Friday 4th / 19:30h
For free (just depending on the venue capacity)


In 2009, Fermín Muguruza made Checkpoint Rock. Canciones desde Palestina, a documentary that shortly after its premiere, earned him a passionate assignment from Al Jazeera: to document the Arab world in eight monographic documentaries. From Morocco to Lebanon, from Egypt to Yemen, via Tunisia or Sudan. The result is Next Music Station, an exploration of the traditional and emerging sounds, rhythms and contexts of the Arab world. Almost a year of shooting and over eighty interviews reveal the extraordinary diversity, the richness of the cultural legacy and the vitality of its musicians, which, in some cases, draw us into its atmosphere and the conflicts these countries experienced before the Arab Spring. Following a screening of the documentaries on Wednesday November 2nd and Thursday 3rd, Muguruza will chat about the project with Montaser Marai, producer of the series for Al Jazeera, in an encounter chaired by Lidia Martorell.



Fermín Muguruza / Spain, Qatar / 2011 / 52’

The extraordinary Tunisian musical legacy through the great performers of traditional music, styles like Malouf, Taraab chants and a new generation that perceives its music and their roles as musicians in political terms. 



Fermín Muguruza / Spain, Qatar / 2011 / 100’

The sonic landscape of the Arab cultural giant, from Aswan to Luxor and Asiut, from Cairo to Port Said: from its rich tradition of chanting and improvisation to hip hop and rock, passing through rhythms with flamenco roots, Sufi mysticism, Zar and Dervish dances.

17:00h. TUNISIA -- 52'

18:00h.  EGYPT -- 100'

20:00h.  Encounter with FERMÍN MUGURUZA and MONTASER MARAI, executive producer of the programming department for the Al Jazeera channel. Chaired by: LIDIA MARTORELL

» Auditori Blanquerna. Thursday 3rd from 17:00h
For free (just depending on the venue capacity)

In 2009, Fermín Muguruza made Checkpoint Rock. Canciones desde Palestina, a documentary that shortly after its premiere, earned him a passionate assignment from Al Jazeera: to document the Arab world in eight monographic documentaries. From Morocco to Lebanon, from Egypt to Yemen, via Tunisia or Sudan. The result is Next Music Station, an exploration of the traditional and emerging sounds, rhythms and contexts of the Arab world. Almost a year of shooting and over eighty interviews reveal the extraordinary diversity, the richness of the cultural legacy and the vitality of its musicians, which, in some cases, draw us into its atmosphere and the conflicts these countries experienced before the Arab Spring. Following a screening of the documentaries on Wednesday November 2nd and Thursday 3rd, Muguruza will chat about the project with Montaser Marai, producer of the series for Al Jazeera, in an encounter chaired by Lidia Martorell.

17:00h.  YEMEN -- 52'

18:00h.  LEBANON -- 100'

20:00h.  SUDAN -- 52'

» Auditori Blanquerna. Wednesday 2nd from 17:00h
For free (just depending on the venue capacity)

We knew about Michael Nyman’s love affair with film, through his collaborations with Peter Greenaway (The Draughtsman’s Contract; The Cook, the Thief, his Wife and her Lover), Michael Winterbottom (Wonderland, Tristram Shandy: a Cock and Bull Story) and Jane Champion (The Piano). Less well known is his role as filmmaker, as a man glued to his camera. He reveals this side to us today in this encounter, in which we see fragments of Cine Opera and Nyman with a Movie Camera, his two documentaries to date. The first takes its name from a run-down cinema in Mexico City, it’s a collection of short pieces that takes the form of a visual diary, alternating between spontaneity and the footnote at the base of the page, fruit of his gallivanting around half way around the world, and all set to music by the man himself. Experimentation and the “a day in the life of” articulate the second, a recreation of the classic by Dziga Vértov, inventor of cine-eye and Nyman’s director fetish. An opportunity to enter the world of this prolific composer and pianist, musicologist and orchestra director, through his own words and his own eyes. 

And encounter with MICHAEL NYMAN and projections of CINE OPERA and NYMAN WITH A MOVIE CAMERA. Chaired by: MANUEL HUERGA.

» Auditori Blanquerna. Monday 31st / 19:30h
For free (just depending on the venue capacity)

We enter the kitchen of El rosari de l'aurora, a journey through the musical imaginary and ups and downs of Adrià Puntí, one of the most unique and inimitable creators of Catalan pop. A production as frenetic and surreal as its star, which Xavier Puig, Raimon Fransoy and Marc Ruiz began embracing more than three years ago, and which today divulges the ins and outs and delicious unseen footage. As production is in full swing, its dossier reveals all the habitual – and essential – letters of support for the project to seek funding, this lifestage of every documentary that transforms it, once completed, into a miracle, and in most cases, into an odyssey. Out of all of them, we particularly dig one by Quimi Portet, in which he highlights what he calls the “inescapable” importance of this documentary “its poetic temple, linguistic brilliance and exquisite musical inspiration make (from Punti’s work), an essential testament to our contemporary culture, and constitute a powerful antidote against the boredom that our secular political sadness and the precariousness of our cultural activity project on the lyrical segregations of this country.”

An encounter with XAVIER PUIG, RAIMÓN FRANSOY and MARC RUÍZ and projections.

» Auditori Blanquerna. Saturday 29th / 19:30h
For free (just depending on the venue capacity)

Paloma Concejero claims that the first time she heard the recordings of the conversations between Antonio and Bosco Ussía, author of the singer’s biography, she felt “so excited it sent shivers up my spine”. This documentary provides a similar sensation, earning its title from the chorus of the song “Persiguiendo sombras”, with the subtitle “Vega como no lo has visto antes”. If the recordings in question were the first brick of this building, the second consisted of throwing the Manichaeism of catastrophe, the tortured legend that surrounds Vega, overboard, with the intention of revealing the lesser-known and more unusual aspects of his personality. As such, it relies on the complicity of his family and also his adopted families: his musicians and those who gave him shelter and hospitality at some moment of his life. Abundant unseen footage – recordings in Super 8, graphic testimonies and photos from his personal archives, oh and incursions into the places that defined and inspired his songs complete this ambitious portrait of one of the greatest figures in Spanish pop.

Encounter with the director PALOMA CONCEJERO, the producer JAIME DE LA PUENTE and CARLOS VEGA and projections.

» Auditori Blanquerna. Friday 28th / 19:30
Free Entrance

No decoro filmes con música; la música ha de sobrevivir en sus propios términos


Parecería que la frase la ha encargado alguno de los miembros del equipo de Beefeater In-Edit a fin de resaltar la importancia que la música tiene como motor de múltiples manifestaciones humanas. La música, así, en un singular que en realidad es plural pues al hablar de música en Beefeater In-Edit siempre hablamos de músicas, es, son, nuestro sentido. Pero no queremos olvidar que la música se expresa también por medio de las imágenes, aquellas instantáneas y secuencias, aquellas historias y narraciones, con las que los documentalistas arrojan alimento a nuestra curiosidad. La música y la imagen caminan, pues, juntas. Eso somos, eso es Beefeater-In Edit: la imagen que documenta la música y a los músicos. La imagen que nos documenta como productores de cultura.


En su novena edición, el festival quiere abrir sus salas al público precisamente con un documental que narra la historia de un músico que se ha dado a conocer por las partituras que ha escrito para las imágenes de muchas películas. Michael Nyman, explicado en sus aspectos personales y humanos, profesionales y musicológicos, se convierte en protagonista de “Michael Nyman In Progress”, un documental que muestra el proceso de construcción de una obra, el mismo Nyman, aún inacabada. Como el propio Beefeater In-Edit, un festival en marcha, una idea dibujada en una pantalla, un proceso sin fin, una estimulante complicidad. Queremos implicarte. Te esperamos.


"No decoro filmes con música; la música ha de sobrevivir en sus propios términos."                                               

Michael Nyman


Para la sesión inaugural contaremos con la presencia de Silvia Beck (directora) y Michael Nyman.

» Aribau Multisalas Sala 5. Jueves 27 de octubre 21:30h
From 19:00h single tickets available at Central Box Office

Thursday 28th
(Samba vs. Funk)


Friday 29th
Fredrik Egerstrand + José González (djs)
(To mark the occasion of the premiere of The Life of José González)


Saturday 30th
Louie Louie djs


Sunday 31st
In-Halloween con Harry Callahan & "Boppin' Djs"


Monday 1st
Desparramendian: K**O & Ho$oi
(To mark the occasion of the premiere of Simple Graces)


Tuesday 2nd
Especial Creation Records: Quique Ramos + Miqui Otero djs
(To mark the occasion of the premiere of Upside Down)


Wednesday 3rd
Joan S. Luna vs. Raül de Tena


Thursday 4th
Especial Limbo Starr:

David López dj + Abraham Boba (solo), Tachenko (Sergio Vinadé y Sebas Puente) and Ornamento y Delito showcases
(To mark the occasion of the premiere of Limbo Starr)


Friday 5th
Harry Callahan & Machito


Saturday 6th
Clasura I


Sunday 7th
Clausura II 

» Taxidermista (Plaça Reial 8). Every night from 23:30h
Free (attending to venue capacity, not a lot)

Texto 1

Texto 2

» Barcelona. 21:30

Friday 28th

» 7Sins. 23:30h - 02:30h
Entrada libre / Entrada lliure / Free entry


Beefeater In-Edit is close to the end and it's time to unveil the winners of the 9th edition (the prize of the audience will know on Sunday night).


In our traditional closing ceremony (really informal) we'll announce the winners of the two sections under competition and continue with the premiere in Spain of Ray Davies - Imaginary man.

» Aribau Multisalas Sala 5. 22:15
Normal Festival ticket system


Fancy an aperitif with a DJ? Here you go, one the two festival Saturdays, from 12h to 16h, we’ll be waiting for you on the roof terrace of the Hotel Pulitzer. Vermouth, sun and fine music! 

» Hotel Pulitzer. Saturday October 29th and November 5th from 12 to 16h

"There's a band in town. We've arrived, we're here and we're Los Cicatriz." Jorge Tur responded to the challenge of this extraordinary short with a particular tour de force: to shoot and edit a documentary diary on Vitoria in a mere three days. He chose one of its most emblematic groups, the defunct Cicatriz, famous '80s punk band and authentic hurricane in their day, whose trail is reconstructed through encounters with those who knew them and those who ask them to sing their songs. The result is a moving tale of a generation, time and city that have disappeared. 

Encounter with Jorge Tur Moltó, Kikol Grau and Virginia García de Pino and screening of Si yo fuera tú, me gustarían los Cicatriz. Luis Parés leads the way

» Auditori Blanquerna. Tuesday, November 2nd. 19:30h
Free (attending to venue capacity)

By chance, Beefeater In-Edit and Barcelona start with the same letter. Not by chance, from the get-go one of our main interests has been reflecting the pulse of Barcelonese and Catalan music through documentaries. This means maximizing the moments in which the vitality and vigor of new generations of musicians awaken the support of new audiences.

As festival followers have already noticed, memory has an important role at Beefeater In-Edit, given that in life, like in art, we're the result of what others were before us. That's why, this year, for the eighth edition of the festival, we're proud to include a documentary like "Barcelona era una fiesta (Underground 1970-1983)" to inaugurate a new Beefeater In-Edit.

With this documentary, we want to express that we form part of a tradition, an urban tradition that vitally and creatively exploded not so long ago. We can trace the lines of what we are today from what we were in the not so distant past, within the context of a city that rewrites itself everyday, just like Barcelona itself. And we want to stick around and keep re-writing it. A warm welcome to you all.

We are delighted to welcome Morrosko Vila-San-Juan, director of the documentary, and some of those who star in it to the inauguration. 

» Aribau Multisalas Sala 5. Thursday, October 28th. 21:30h
Only with invitation (Same thursday, from 19:00h, if available, tickets will be sold at Central Box Office)

Due to the high expectation that this title has generated, the organization of the Festival and the crew of the documentary have accorded to set up an extra screening.


this screening will be held next saturday night (November 2nd, at 24:30h) and will take place at Multicines Sala 5. Tickets are available at the Central Box Office (due to the exceptionality of the session, online ticket sale will not be available).

» Aribau Multicines Sala 5. 24:30


Julien Temple is the homaged director of this edition of the festival. He's the author of quintessential titles like The Filth and The Fury about the Sex Pistols, Joe Strummer. The Future is Unwritten about the singer from The Clash, and Oil City Confidential about Dr. Feelgood, a kind of trilogy of the punk years and of the England in which they were born. Then came modern day portraits of Paul Weller and The Kinks, or cities like Detroit or London –the phantasmagorical Requiem for Detroit; and the most recent London, The Modern Babylon. This unmistakably British director, maestro of collage and filmmaker by the grace of de Jean Vigo, gives a masterclass today. 

» Auditori Facultat de Comunicació Blanquerna. 19:00h
Free Entrance (according to venue capacity)


Meet La Cantina, a festival bar that will only exist while the festival is taking place (11 evenings in October and November) and whose objective is to become a natural meeting point among the public, festival team, filmmakers and anyone else that wants to stop by and say “hi!” in a very inclusive and sociable edition of the festival. Food created with film festivalgoers in mind, a great selection of music, lots of surprises and festival spirit are the bases upon which we’re gonna put up our pop-up bar: La Cantina.

» All days of the festival, at Gran Via de les Corts Catalanes, 576. -

Five titles of this year's Beefeater In-Edit edition can be seen -just one screening- at the Golem theaters in Madrid, Bilbao and Pamplona. Here are the dates:

Monday 28th, 20:30h: The Sound of Belgium.

Tuesday 29th, 20:30h: A Band Called Death. 

Wednesday 30th, 20:30h: Mistaken for Strangers (feat. The National). 

Thursday 31st, 20:30h: Beat This! A Hip Hop History. 

Friday 1st, 22:30h: Triana Pura y Pura. Madrid / Bilbao / Pamplona

» Golem Madrid, Golem Baiona and Golem Alhóndiga. 20:30h

Friday, october 28th



Our last Crocanti was one month ago, so this means just one thing: This friday a new Crocanti comes. And even more, it's gonna be also a Beefeater In-Edit meeting point night. 

And playing, Miqui Otero, a rara avis since the mythical Our Favourite Club closed. His tricks? latin soul, nu yorica sounds and a lot of boogie.With him, Ari Up will be also playing her classic bombs made of dancehall, funk, disco and even some old school hip hop. And, of course, some gipsy rock made in Spain. 

» Marula (C/ Escudellers 49). 23:00h - 04:00h
Entrada libre (abonos y acreditados) hasta las 02:30

Don't bother sleeping on the night of October 31st because the festival will offer an all-night selection of historical concerts by British bands. We'll revive the flavour of the first editions of the festival by selling single tickets and also offering all-night passes (with their corresponding access-all-areas wristbands. Programming: 

24:15h Listening to you

02:00h Let's Spend the Night Together

04:00h The Song Remains the Same

» Aribau Club 1. Sunday, October 31st. From 24:15h
Check prices

Archive images and cranky concerts, musical peaks and troughs, devoted fans and interviews with elders, recognition of I was there and predilection for I'd have given my right arm to be there... It's clear that the music documentary has its own rules, and each one is different. A generation touched by the experimental and the televised, by poetic justice and parody in unequal doses. Indescribable flag-bearers of post-patriotic humour, Venga Monjas give a conference on how to make the ideal music documentary. What to do and what not, in a session filled with surprises. 

Conference spectacle with Venga Monjas 

(Foto: McKeyhan for Underbrain Mgz )

» Auditori Blanquerna. Thursday, November 4th. 19:30h
Free (attending to venue capacity)

Beefeater In-Edit 2010 pays homage to D.A. Pennebaker and Chris Hegedus, two of the big names in music documentary, by screening some of their most important films. Pioneers of live cinema - the American version of cinema verité, apostles of meditative observation, fans of Fellini, perfect incarnation of being in the right place at the right time and authors of titles as indispensable as Dont Look Back (1967), Monterey Pop (1968), Only the Strong Survive (2002) or Depeche Mode 101 (1989), the directors give a master class. 

Masterclass with D.A. Pennebaker & Chris Hegedus 

» Auditori Blanquerna. Friday, November 5th. 19:00h
Free (attending to venue capacity)

Thanks to the collaboration of La Filmoteca de Catalunya, the Pennebaker-Hegedus homage is bigger, and more of their documentaries have been programmed, including some that don't focus on music. Titles included in the extension of the homage are as follows: 

Kings of Pastry (Spanish Premiere) - Tuesday 2nd (19:30h) & Saturday 6th (19:00h + Q&A)

Coming Home + Searching for Jimi Hendrix - Monday 1st (19:30h) & Saturday 6th (22:00h)

The War Room - Monday 1st (22:00h) & Friday 5th (22:00h)

Town Bloody Hall - Wednesday 3rd (22:00h) & Friday 5th (19:30h)

» Filmoteca de Catalunya. Various Sessions
Check at Filmoteca


We open up a meeting point for chatting after the movies, and what better place than the cinema itself. A place where the audience, guests and members of the organisation meet while chatting and drink something. See you every night at the end of the last session at Aribay Multicines Sala 5! Every night from 23:30 we bring a Dj that will create a set related to the last screening, something special, just for the Beefeater In-Edit audience.







Thursday 24th: Opening night by Dj Mayfield.

Friday 25th: Muscle Shoals night with Dj Goripack

Saturday 26th: The Sound of Belgium night by Eleptric Dj

Sunday 27th: RAVER JEWISH will do a pleasant night set dedicated to Harry Dean

Monday 28th: Bayou Maharajah night by Dj Zeda Vega

Tuesday 29th: The National night with Dj a1g and Dj GNTPWR 

Wednesday 30th: La Pegatina party with Ninhodelosrecaos & Nafentt

Thursday 31th: Kiko Amat and Miqui Otero will create a session dedicated to Teenage, the documentary written by Jon Savage

Friday 1th: Narco Cultura night with Djs Solysombra Chingaleros

Saturday 2th: Closing night by Dj Jaime Casas


C/Aribau, 8-10 

» Aribau Multicines. C/Aribau, 8-10. 23.30h

From october 29th to november 5th

» 7Sins. from 23:30h a 02:00h
Entrada libre / Entrada lliure / Free entry

Sunday, October 30th


Jaume Bellmunt (aka Mayfield) has been sharing his music through differente venues in the city (and around). Probably you've seen him at Heliogàbal, Sifo, Marula or Faraday. Only suitable for demanding ears.

» 7Sins. 23:00h - 02:00h
Entrada libre / Entrada lliure / Free entry

We change the format for this edition. On Saturday November 6th, the four winning documentaries will be screened in succession, free of charge. This presentation will take place at the Auditori de la Facultat de Comunicació Blanquerna. 

17:00h - Surdesarrollo capítulo I (In-Edit Argentina)

18:30h - Dzi Croquettes (In-Edit Brazil)

20:45h - A Tempo Real (In-Edit Chile)

22:00h - Su Mercé (In-Edit Mexico)

» Auditori Blanquerna. Saturday, November 6th. From 17:00h
Free (attending to venue capacity)
» Aribau Multisalas Sala 5.

Monday, 31st


Dj Evripidis

» 7Sins. 23:30h - 02:30h
Entrada libre / Entrada lliure / Free entry

This year we’re debuting the Beefeater Live! sessions, designed to warm up the mood before the last screening at the Aribau Multicines cinema. Each day we’ll invite a musical selector to play a soundtrack for the evening and we’ll open a bar inside the cinema to prove that waiting in line can also be an awesome experience.


Friday 28th - Supersonic
DJ Ignasi Trapero


Saturday 29th - Fonko
DJ Safura - Tania Adam (Radio África Magazine)


Sunday 30th - Omega
DJ Panko


Monday 31st - Eat that Question - Frank Zappa in His Own Words
Selector Jesús Brotons


Tuesday 1st - Blur: New World Towers
DJ Sergi Marín


Wednesday 2nd - Raving Iran
DJ Egres


Thursday 3rd - Keith Richards - The Origins of the Species
DJs Jesus Moreno y Jordi Güell

Friday 4th - Strike a Pose
La Rara Team


Saturday 5th - Gimme Danger
DJ Roger Estrada


Sunday 6th - Gimme Danger
DJ Roque Molina


In collaboration with Reloop and HK Audio.

» Aribau Multicines 5. Every day (except for the inaugural night), 45 minutes before the last session


Visual Phonic presents an audio-visual piece based on the essence of the seventh art, silent movies, and on the live creation of a new soundtrack for each film, using exclusively vinyl records. An interesting symbiosis is formed from the visual and expressive power of the silent film, and the strength of the music to accompany the images and evoke atmospheres and emotions.


A concept based on classic silent films, with a musical soundtrack selected especially for each film by an expert DJ, from among his vast record collection and played live on two turntables and a mixing desk, in the search for new creative performances.


The Visual Phonic soundtracks are musical expressions created especially and exclusively for a silent film, according to the artistic criteria of each DJ involved. They are structured and ordered like sonic phrases that strengthen the narrative thread of films in this era prior to sound, or which can even offer new interpretations and meanings.


Soundtrack: Javier Verdes
Film: A Page of Madness / 1926 / Teinosuke Kinugasa / Japan / 70 min

Buy your tickets here.

» Aribau Club 2. Monday October 31st 22.30h

November 1st

» 7Sins. 23:00h - 02:00h
Entrada libre / Entrada lliure / Free entry

Wednesday, November 2nd


Louie Louie was born just a couple of years ago when Louie Louie Costa and S. Ceprián coincided by chance in Las Vegas. Vintage and old musics...

» 7Sins. 23:00h - 02:00h
Entrada libre / Entrada lliure / Free entry


Some of the directors and artists featured in the documentaries will accompany us during the course of the festival to present their films, and take part in Q & A sessions with their viewers.


The following directors and artists have been invited to present their documentaries:


Beth Formaggini: Director of the documentary Xingu Cariri Caruaru Carioca.

Daniel Arvizu. Director of the documentary The Origins of Music.

Daniel Torres and Jaime Ballada. Directors of the documentary Joan Manén. Variacions sense tema.

Danny García (Director of the documentary Autosuficientes) and Ana Curra (Parálisis Permanente).

David Álvarez. Director of the documentary Lo que Hicimos fue Secreto.

Ingrid de la Torre. Director of the documentary Sin Permiso.

Jorge Leiva. Director of the documentary Quilapayún, más allá de la canción.

Jose Luis Tirado. Director del documental NO, A Flamenco Tale.

José Ramón da Cruz. Director of the documentary Geometría del Esplendor.

Julien Temple. Director of the documentary Keith Richards: The Origin Of The Species.

Kikol Grau. Director of the documentaries Las Más Macabras de las Vidas, Inadaptados, No somos nada.

Lars Loven. Director of the documentary Fonko.

Matthew Jones. Director of the documentary The Man from Mo'Wax.

» Consultar programa. Check program.


With Jaime Gonzalo (writer and journalist, author of “La Banda Trapera del Río: Escupidos de la boca de Dios”, “The Stooges: Combustión Espontánea” and “La Ciudad Secreta”) and Roger Peláez (co-manager of the podcast Maximum Clatellot, cartoonist and singer in the groups Zombi Pujol and Budellam). Moderator: Toni L. Querol.

» Aribau Club 2. Friday November 4th following the screening of "Jubilee"

November 3rd

» 7Sins. 23:30h - 02:30h
Entrada libre / Entrada lliure / Free entry


With David Álvarez (director of the documentary) and Joni D (author of the book "Que pagui Pujol!” and ex member of Antidogmàtics, Juanito Pikete and Mataesquiroles and Pixamandúrries) and Jose M. Calvo (singer of Delincuencia Sonora). Moderator: Jordi Turtós. 

» Aribau Club 2. Friday November 4th following the screening of "Lo que hicimos fue secreto"

Friday, November 4th


DJ Evripidis

» 7Sins. 23:30h - 02:30h
Entrada libre / Entrada lliure / Free entry


DOC ALIVE, our love affair with live music in the cinema. To coincide with the screening of A Fat Wreck, a documentary that commemorates the 25-year history of the influential punk label Fat Wreck (NOFX, Lagwagon, No Use For A Name), we proudly present a special acoustic set–solo and accompanied only by his the guitar– by Duncan Redmonds, cofounder of the veteran English hardcore group Snuff and current member of Toy Dolls.

» Aribau Club 2. Tuesday November 1st 21.45h

Friday, november 4th


Due to the screening of the documentary They Call it Acid Nitsa Club will support a special dj-set dedicated to acid music with Fra DJs and Marc Piñol.

Nitsa Club
Vj: Entter

La [2] De Nitsa
JOAN CABOT (Badtiming/ Mallorca)

» Nitsa (Apolo). From 01:00h
€ 13 (free for the screening ticket-holders and also Ticketmaster vouchers until 02:30 h)


IN-EDIT Fast Forward is a new course of action for IN-EDIT, a new programme that will run in parallel with the Festival, but with its own characteristics. In-Edit Fast Forward's objective is to become the festival's mid-term professional area, although its unique features mean it can't exclusively be branded as such.


IN-EDIT Fast Forward focuses on presenting tech-based projects that directly or indirectly affect the audiovisual and musical worlds, and which are in a development phase that is optimal for presentation to the general public in Barcelona (many of these projects are in "Beta" phase). 

In-Edit FFWD is not exactly a parallel activity. So we recommend you to read all the info here.

» ---. All day

November 5th

» 7Sins. 23:00h - 02:00h
Entrada libre / Entrada lliure / Free entry


BUG returns for a third consecutive year to Beefeater In-Edit with a new showcase of music and videos, that shines a light on our spiritual home, London. BUG began life at the BFI Southbank in London, exploring the latest and most brilliant, strangest and sometimes completely extraordinary video clips and carrying them to the cinema screen. Hosted by the writer, comedian, commentator and director Adam Buxton, this special show for Beefeater In-Edit 2016 is a prime opportunity to see some of the most iconic, British video clips on the big screen, and gawk at how their directors got inspired by London to make them. 

» Aribau Club 2. Thursday November 3rd 19.30h
Free entrance until complete capacity

A Poem is a Naked Person
Two emerging artists on the scene, Masclans and Rogert Usart, offer a repertoire of 25 minutes of León Russell classics.
Following the screening of the documentary, Tuesday 1 November at 18:15h at the Aribau Club 2 cinema.

Joan Manén. Variacions sense tema
The violinist Kalina Macuta, who appears throughout this entire documentary, will play two pieces by Manén on one of the musician’s violins, provided by his family.
Following the screening of the documentary, Sunday 30 October at 17:30h at the Aribau Club 2 cinema.

Melody Of Noise
The multidisciplinary artist Eli Gras, offers a demonstration of self-created, hand-built instruments to complete the screening of Melody Of Noise.
Following the screening of the documentary, Wednesday 2 November at 22:00h at the Aribau Club 2 cinema. 

The Sad And Beautiful World Of Sparklehorse
Antu Saltor, The Missing Leech, Ran Ran Ran and Ilsen choose six pieces from the Sparklehorse songbook, to pay tribute to the career of the revered Virginia band.  
Following the screening of the documentary, on Saturday 5 November at 22:00h at the Aribau Club 2 cinema. 


I Called Him Morgan
The trumpeter Fèlix Rossy, son of the drummer and pianist Jordi Rossy, will perform some favourite pieces by one of his childhood icons, Lee Morgan.
Following the screening of the documentary, on Thursday 3 November at 21:45h at the Aribau Club 2 cinema. 


» Aribau Club 2. -


All songs and images are stimuli looking for a response from whomever is listening or watching. At Beefeater In-Edit we’ve planned our chat with Don Letts like this: we’ll play him songs and images that he doesn’t know about in advance (but which are linked to his career), and he’ll respond with anecdotes, reflections and his habitual salt-shaker based on what he sees or hears.

In collaboration with The British Council

» Aribau Club 2. Wednesday November 2nd 19.15h

El documental "Bustamante Perkins" se estrena en la presente edición del festival Beefeater In-Edit. Con este motivo podremos disfrutar de un concierto que seguro será inolvidable, en el que Juli repasará el cancionero más emotivo de su carrera junto a Fred i Son, quienes se han convertido en el aliado perfecto de Bustamente para llevar a cabo esta premisa. Una cita ineludible en un contexto inmejorable.

» Sidecar. 22:00h


On Saturday 5 November, during the festival’s closing ceremony, the Jury’s decision will be revealed and the prizes awarded for the best national and international documentaries.


The 2016 jury members are as follows:


Jury for the official international section:

Morten Tang: Morten Tang is the co-founder and managing coordinator of Musikfilm Festivalen (The Music Film Festival) hosted by The Danish Film Institute/Cinematheque in Copenhagen. Morten Tang has been with The Danish Film Institute since 2002 in a number of positions within the organisation, and currently works as programmer, press coordinator and project manager for the DFI Cinematheque. Before joining the DFI and managing Musikfilm Festivalen, Morten was engaged as music critic at various magazines and newspapers and contributed content to several programs at Roskilde Festival. He also programmed and coordinated the first edition of the Sound & Vision program at the major international documentary film festival CPH:DOX.


Jin-Su Chun: Jin-Su Chun is a Programmer of Jecheon International Music & Film Festival in South Korea since 2006. He studied philosophy and filmmaking in Korea and then worked as an assistant director and directed some music videos in South Korea. He’s also written many articles on music for many journals and magazines in Korea. He also studied documentary film at the university Paris 8.


Alyona Bocharova: Alyona Bocharova is a co-founder and managing director of the Beat Film Festival, international documentary festival with a focus on music and modern culture that takes place in Moscow and 15 other cities across Russia. Alyona used to work as Artistic Director for several film venues such as Pioner Cinema and the Documentary Film Center before dedicating herself to the festival. In 2014 she also co-founded a distribution company Beat Films that functions as the festival's distribution arm. 


Michelle Carey: Michelle Carey is Artistic Director of the Melbourne International Film Festival, where she has been since 2007 (previously Senior Programmer and Accelerator Coordinator). She has been an editor at Senses of Cinema online journal and a programmer for the Melbourne Cinémathèque. She has previously worked for the Adelaide Film Festival, the Australian Centre for the Moving Image and the AFI Research Collection, among other screen culture organisations. Further back, she was involved in DIY music distribution and radio in the 90s.


Fermín Muguruza: Fermin Muguruza is a musician and a filmmaker. His career started in the early 80s when he founded one of the most influential bands in the basque music scene, Kortatu. He later created a new band, Negu Gorriak, and the label where he would publish his albums Esan Ozenki. In 2008, he ventured in the cinematographic world and directed his first documentary, Checkpoint Rock. Canciones desde Palestina. From then onwards, he combines his two passions in order to create new projects.


Jury for the official national section:

David Casademunt: This filmmaker and ideas man graduated from ESCAC, specializing in directing. He’s made video clips for Pablo Alborán, Antonio Orozco, Nena Daconte, Love of Lesbian, Chenoa, Manuel Carrasco... His two short films Jingle Bells and La Muerte Dormida have been awarded more than 45 international prizes. He codirected Rumba Tres. De ida y vuelta, winner of the best national documentary prize at In-Edit Beefeater 2015.


Sonia Sánchez: TV director that specializes in fiction. Sonia’s directed series such as Infidels, Majoria Absoluta, Via Augusta and Jet Lag, among others, mini-series (Barcelona Ciutat Neutral) and TV movies (Mobbing, Les nenes no haurien de jugar a futbol). She’s currently on the production team for Tria 33.


Marta Salicrú: Marta Salicrú is editor-in-chief and music editor for the Time Out Barcelona magazine/ She’s co-author of the book Putos himnes generacionals (Empúries), collaborates with Rockdelux magazine, and with the BTV program Àrtic, and lectures on pop culture en la ESCAC.

» Aribau Multicines 5. Saturday November 5th


Thursday November 3rd 3; From 9:30h to 18:30h
Sede SGAE Catalunya (Passeig de Colom, 6)

Free-entry with the exception of the networking lunch, which requires reservation by following these instructions. The capacity for the talks are limited, so we recommend you to reserve your spot here



The mix is one of the most delicate and creative processes within the production of a song. Its aim is to achieve balanced distribution of frequencies, volumes and presence of the instruments/voices in a way that will make them pleasant to listen to and/or align with what they seek to transmit.



9.30h – 11.30h – Sala Mompou
Every 30 minutes, two speakers from different disciplines will give us their point of vie won a specific subject, moderated by a professional that will endeavour to spark a debate that goes beyond the “me” to talk about the stuff that really interests us. Public or private managements, how do creators move among festivals, what’s better – local curators or the complete opposite? 


Table 1: The Importance of Curating. Speakers: Julián Viñuales (Editor at Malpaso Ediciones and founder of Global Rhythm Press and Papel de liar), Pau Corbalán (Creator of Cooncert.com, collaborative platform for concerts). Moderates: Anna Cerdà (Cultural Manager, Curator at MACBA and director of Festival Pop Arb)

Table 2: Public vs. Private Management. Speakers: Andreu Garrido (Performing Arts and Live Music Consultant), Oriol Roca (Artistic direction adviser at MMVV 2011 to 2016. Promoter and cultural events producer). Moderates: Pepe Salazar (Cultural manager and OFFF Festival manager) 

Table 3The Importance of the Festivals for Creators. Speakers: Marc Crehuet (Filmmaker, theatre director, scriptwriter and playwright), Louise Samson (Member of the band Anímic and the label B-Core). Moderates: Raül de Tena (Journalist, director of Fantastic Plastic Mag).


In collaboration with Catalunya Film Festivals.


12.00h – 14.00h - Sala Mompou
Discover the 10 keys to connect the film industry with the future generations. We invite you to discover possible answers through a co-creative session between industry professionals, trend and innovation experts and millennial consumers. introduction by Berta Segura (Director of the DMentes agency, specialized in trend data analysis, innovation and youth culture). 


Ponents: Ian Garrido (graduated at ESCAC, his short VíctorXX received the third award at the section Cinéfondation in Cannes), Max Martí (Music journalist at the website Indiespot), Ariadna Solera (graduated at Bande à Part, she works with Xcèntric and CCCB), Alba Riera (Co-director of the creative studio Opio Studio and trends' analyst at DMentes and Fundación Creafutur). Moderates: Marta Carrasco (Trends' analyst and cultural maanger at DMentes).

In collaboration with Catalunya Europa Creativa Desk - Media Catalunya.   

14.00h – 16.00h Sala Club
All the guests from the activities days, and all the Festival guests will join us for lunch so that all interested parties can have one-to-one meetings to share experiences and knowledge.
To attend the lunch, please reserve in advance. Places will be limited.
In collaboration with Catalunya Catalan Films.


Cultural consumption habits analyzed from different international perspectives. Are they as similar as we expect?
16.00h - 16.45h Sala Mompou
When we consider the culture consumer in general, and the audio-visual consumer in particular, we always end up applying a western perspective. But, what really happens with the audience around the world? Brazil, Russia, Denmark and Mexico will be the countries summoned to reveal their various different perspectives.


Speakers: Marcelo Andrade (Director of In-Edit Brasil Festival), Alyona Bocharova (Managing Director and Co-founder of the Beat Film Festival in Russia), Morten Tang (Programmer at the Danish Film Institute, Dinamarca). Moderates: Gorka Meneses (director of In-Edit Mexico Festival).

In collaboration with Europa Creative Desk - Media Catalunya, and Acción Cultural Española (AC/E), through its Program for the Internationalization of Spanish Culture (PICE).

Polishing the glass ceiling?  Women in music, media and culture
17.00h – 18.00h Sala Mompou
Music, film and communications media form a triumvirate in which half the population isn’t always equally represented. Four experts from the sector offer a light-hearted but poignant analysis of the challenges to bear in mind in the globalized world, from their own experiences in these industries.


Speakers: Michelle Carey (Artistic Director at the Melbourne International Film Festival), Ivone Lesan (Promoter at Clippers), Silvia Cruz (journalist). Modera: Lucía Lijtmaer (journalist and writer, Director of the Festival "Princesas y Darth Vaders"). 

In collaboration with Europa Creative Desk - Media Catalunya, and Acción Cultural Española (AC/E), through its Program for the Internationalization of Spanish Culture Cultura Española (PICE).


Sponsor Coffee break: Café Illy


Download the full program of the talks + bio of the speakers here. (in Spanish)


Apply for your industry accreditation here.

» Sede SGAE Catalunya (Passeig de Colom, 6). November 3rd, from 9:30h to 18:30h
Free-entry with the exception of the networking lunch, which requires reservation and payment in advance.


This year, the inauguration will have a flamenco twist (sui generis): we’re presenting the world premiere of Omega, the documentary by José Sánchez-Montes and Gervasio Iglesias about the legendary album recorded by Enrique Morente with Lagartija Nick in the mid ‘90s.


The directors will attend the presentation, alongside Antonio Arias (Lagartija Nick) and members of the Morente family.

» Aribau Multicines 5. Thursday October 27th

Awards announcement and screening of the closing film: IN-EDIT - Get What you Want (full info)


Team, musicians, and directors (Pennebaker, Don Letts and Julien Temple, among other superstars), reflect on ten years of In-Edit’s existence and the passion that sustains it. More than a simple festival expressed here with viewer-and-fan-style warmth.

On saturday 3rd, from 13:00h, we'll give free tickets at Central Box Office)

» Multicines Sala 5. 22:00h
Free Entrance (with invitation)

English director and producer Dick Fontaine has been a fundamental figure in the evolution of the representation of popular culture in TV and film for the past half-century. 

Activity in English (no translation).

» Auditori Facultat Comunicació Blanquerna. 19:00h
For free (just depending on the venue capacity)

Tots Sants encara la tardor més moguda que ha conegut mai fins ara. Tenim nous vídeos, tenim una colla de sessions que poc a poc aniran veient la llum i tenim una festa.

Per parts: estrenem la sessió de Manel amb "Teresa Rampell", una cançó que a La Casa Murada pren una força inusitada. Ve l'amor i ve amb més nervi, amb més urgència.

Més sessions: fa poques setmanes ens vam tancar a La Casa Murada per gravar amb Mayte Martín, Pau Vallvé, Nueva Vulcano, Ariel Rot, Núria Graham i Sénior i el Cor Brutal. Els anirem descobrint aviat.

I per últim, la festa. El 30 d'octubre, a la sala Music Hall de Barcelona, celebrem La Nit de Tots Sants i presentem en concert tres dels artistes que han passat aquests mesos per La Casa Murada: el cantautor menorquí Leonmanso, el duet Nothing Places que lidera Emilio Sáiz i Capitán, una banda inèdita que inclou músics de Standstill, Love of Lesbian i Egon Soda. Aviat us els presentarem en vídeo. 

» Music Hall. 22:00
7€ / 10€

DOC ALIVE consists of the screening of a documentary that forms part of the festival programme, followed by a concert starring the artist/band that feature in the documentary. It will be made up of two one-off sessions at Barcelona's Sala Apolo, on  October 30th (Litoral) and November 3rd (Luke Haines)


20:00h. Opening doors

20:30h. Screening: Art Will Save the World. A Film About Luke Haines

Niall McCann - Ireland – 2011 – 70' 

Failed pop star. The soul of The Auteurs and Black Box Recorder reconstructs the purgatory of his career in a hilarious testimony that craps all over every aspect of the pop music business. Irony, ideas, misanthropy, self-sabotage... Oh, and a shitload of dissing. 


22:00h Luke Haines Showcase

Doc Alive presents Luke Haines "Solo", in a special showcase for the occasion. Just him and his guitar in a promising dialogue that gets up close and personal with the audience. A must-see of this edition. 

Doc Alive is a Beefeater In-Edit & Apolo coproduction

» 3/11 Sala Apolo. 20:00h
12€ (buy tickets at www.sala-apolo.com)

Professional meeting between audiovisual creators and musicians.

Would you like to make an audiovisual project that revolves around music? Make the most of this chance to meet outstanding audiovisual creators, carefully selected by In-Edit.


In collaboration with PrimaveraPro, the professional area of the Primavera Sound festival, we present this first meeting between the audiovisual and music industries, which aims to find synergies between professionals from both sectors.


Here are the five directors selected by In-Edit:

- Àlex Julià

- Daniel Arasanz

- Marc Ruiz

- Oscar Romagosa

- Sergi A. Minguell 


If you are a musician or you work in a label and you want to meet one of them, write to infopro@primaverasound.com or call +34 933 010 090. More info here.

» A Guitar Club. C/Consell de Cent, 215. 10:30am.
Professional activity.

Requiem for Detroit?

Julien Temple - United Kingdom – 2010 – 78’

Dystopia today. The old American industrial leader turned ghost town. Musicians automobile executives, sociologists and activists get together with Temple to clear up what happened with Detroit, a spectral city that would seem to be living in the worst of futures.

Thanks to: BBC Worldwide

Introduction with Julien Temple

» 3/11: Filmoteca de Catalunya. 19:30h
Directly at Filmoteca (independent ticket)


Every night we'll meet at 7 Sins (our meeting point after the screenings)


Jueves 25: Jaume Bellmunt

Viernes 26: Dani Cantó (& then to Marula, to Fiesta Crocanti)

Sábado 27: El Diferencial DJs

Miércoles 31: djTas & djRoy

Jueves 1: Victoria Rodríguez, del equipo del festival, se nos ha aficionado al swing y no hemos tenido más remedio que dejarles esta noche para ella, su gente y sus bailes.

Viernes 2: Solysombra Pinchadiscos

Sábado 3: Guilty djs. members of our artistic departament take care today of the music selection

Domingo 4: Clausura tradicional. El equipo del festival se encarga de pinchar.

7 Sins opens daily, from 18:00h

» 7 Sins (Muntaner 7). 23:30h
Entrada libre (hasta completar el aforo)


Julien Temple - United Kingdom – 2006 – 138’

35 years of the world’s most important festival. Temple captures Glastonbury with a thousand eyes and hundreds of hours of footage, without leaving a grain untouched. Fans, groups, mud: an out of this world film experience to immerse oneself in without getting (too) filthy.

» 4/11: Filmoteca de Catalunya. 19:30h
Directly at Filmoteca (independent ticket)


Ricardo Pachón, one of the great flamenco producers -factotum of Smash, records by Veneno, Lole y Manuel, Pata Negra and Camarón's legendary La Leyenda del Tiempo, and director of documentary series like El Ángel – is finishing now Triana Pura y Pura, a documentary that approaches the reunion of the gypsies of Triana in 1982, twenty five years after their expulsion from the Seville neighbourhood because of to property speculation. An unrepeatable and mind-boggling work: pure song and pure dance, about which we chat with the director and the producer Gervasio Iglesias, with whom we get to watch fragments.

Friday 26th / 19:00h Encounter with Ricardo Pachón and Gervasio Iglesias, and screening of images from the film

» Auditori Facultat de Comunicació Blanquerna. 19:00h
Free Entrance (according to venue capacity)


Desde el último Beefeater In-Edit en Barcelona, se han celebrado ediciones del festival en Chile y Brasil. En sendas ediciones se celebró una competición nacional y los ganadores son exhibidos en esta sesión especial.


Vou rifar meu coração

Ana Rieper - Brazil – 2011 – 79' - VO

¡Drama! Un sentido repaso a la imaginería romántica y erótica del Brasil con dos puntos de apoyo: las canciones de brega (música cursi) y los testimonios reales de enamorados y traicionados. Canciones que explican vidas, vidas que son canciones. 

Domingo 28 / 19:00h

Presentación con Ana Rieper


Los Bunkers. Un documental by Sonar

Pascal Krumm - Chile – 2011 – 98' - VO

Los Bunkers son superestrellas chilenas afincadas en México. El filme se pega a los rockeros de Concepción con entrega de reality show y backstage pass para todas sus discusiones y mimos. Retrato de una gran familia con roces y afectos, roadies y buses. 

Domingo 28 / 21:30h

Presentación con Pascal Krumm

» Auditori Facultat de Comunicació Blanquerna. 19:00h & 21:30h
Sunday 28th: Entrada libre (hasta completar el aforo)


We get into the kitchen of El dolor de la bellesa, the latest project by Raimón Fransoy, Xavier Puig and Marc Ruiz –also authors of the unorthodox Adrià Puntí-, for an ultra personal reflection on tradition, roots and memory that revolves around an extraordinary meeting, that of Roger Mas with the Cobla Sant Jordi Ciutat of Barcelona. We're talking about an unusual production championed by the music of the city of Solsona, and for which he unleashes his inner crooner, accompanied by a cobla, (a group of traditional musicians) whose sound was reinvented while he reinterpreted home-grown and more distant songs: from Fabrizio de André to Ary Barroso from Mikel Laboa to Barbara, from Jacint Vedaguer to La bien pagá. 

Encounter with Roger Mas, Xavier Puig and Marcos Ruíz, and screenings of images from the film. Moderator: Roger Roca

» Monday 29th: Auditori Facultat de Comunicació Blanquerna. 19:00h
Free Entrance (according to venue capacity)

Carles Prats submerges himself in the Barcelona of the Eighties at the hand of Los Rebeldes, one of the most emblematic bands of those years, to the peripheries of its line-up, back when it was a rockabilly trio. Years of social change and musical explosion in which the rock thing – not to mention punk – was a real anomaly. Being drafted could tear your life apart or from one day to the next you could wind up supporting The Ramones. And all this in a grey, broke city, unpredictable and feral, in which the habitual do it your own way was not a slogan brandished by the latest brand, but the only way to get things done. 

Encounter with Carles Prats and the original Los Rebeldes line up, Carlos Segarra, Aurelio Morata and Moisés "Moi" Sorolla, and screening of parts of the film.

» Auditori Facultat de Comunicació Blanquerna. Tuesday 30th / 19:00h
Free Entrance (according to venue capacity)

Las palabras de quien no se siente Dios son palabras humanas. Así, humanos, eran los Stones cuando se grabó Charlie is my darling, época en que mostraban satisfacción por poder viajar en primera clase. De ferrocarril. Esta mirada a los inicios del grupo que después ya habló como un dios abre un Beefeater In-Edit que, en este documental, encuentra la bisagra perfecta entre pasado y futuro: The Rolling Stones Charlie is my Darling - Ireland 1965 se filmó por primera vez en 1966, pero la copia que inaugura nuestro festival es un nuevo montaje (con material inédito también) de este año. Pasado y presente con una banda que pasó de ser humana a celestial.


Inauguramos esta edición tan especial (celebramos 10 años) con este documental porque consideramos que refleja, con fidelidad, el espíritu que impregna esta edición. En este Beefeater In-Edit miramos a los ojos del presente, y por eso encontrarás en nuestro programa muchas producciones de 2011 y 2012, pero también nos gusta mirar de dónde venimos y por qué somos como somos, así que este 10º Festival también estará repleto de miradas a la historia. Será una edición que, más que nunca, enfrentará pasado y presente para comenzar a imaginar el futuro. Feliz Beefeater In-Edit 2012 y gracias a todos los que nos acompañáis desde hace tantos años.


Sesión Inaugural (Entrada con invitación)*
Presentació del Festival y proyección de:

The Rolling Stones Charlie is My Darling - Ireland 1965

Peter Whitehead 1966, Michael Gochanour 2012 / Reino Unido, EE.UU. / VOSE / 66'

Con la presencia de Mick Gochanour, director.

» Multicines Sala 5. 21:30
Entrada con invitación (El mismo día, si queda aforo, entradas a la venta a partir de las 19:00h)

DOC ALIVE consists of the screening of a documentary that forms part of the festival programme, followed by a concert starring the artist/band that feature in the documentary. It will be made up of two one-off sessions at Barcelona's Sala Apolo, on October 30th (Litoral) and November 3rd (Luke Haines)


20:00h. Opening doors

20:30h. Screening: Marglytta. A Music Documentary Based on Litoral

Sergi A. Minguell - Spain – 2012 – 73'

"What we sing is true". A Catalan happy-folk group tours the world (Iceland, England, France), celebrating with its joy-filled jams. A group of friends, of paella and barbecue that goes a long way. There's conflict, but not a lot; the rest: good times and visual beauty. 


22:00h  Litoral Live

Litoral is made up of musicians with different backgrounds and different origins, who, as one of their songs says, draw an electrocardiogram on the map. Living up to their name, their musical style drinks from the fountain of Mediterranean rhythms and instrumentation: box drum, violin, accordion, Spanish guitar: all serving up pop melodies with Frenchified, Arabic, African, and Brazilian influences. Their two secret weapons: closeness to the audience and naturalness. 





Doc Alive is a Beefeater In-Edit and Apolo coproduction

» Sala Apolo. Tuesday 30th at 20:00h
9€ (buy tickets at www.sala-apolo.com)

In a moment of severe social reorganization – better known as crisis – it seems appropriate to ask ourselves questions that we tiptoed around until recently: music as consolidation of cultural consumption: the role of youth subcultures, their class origins and their relationship with the market, hipsterism and the reasons behind indie sentiment, or the distrust awakened by musicians, ever more resilient to authority. Of all of them, we talk today with Ramón Faura (Le Petit Ramon, Macho) and the journalist Víctor Lenore (Diagonal, Rockdelux), in a session moderated by Nando Cruz, with live music by Joan Colomo. 

Chat with Víctor Lenore and Ramon Faura. Moderator: Nando Cruz. With the participation of Joan Colomo, who will play live.

» Auditori Facultat de Comunicació Blanquerna. 19:00h
31/10/12: Free Entrance (according to venue capacity)


As a recent tradicion, every Halloween night we offer 3 great concert-films as an all-night marathon. Here it's our 2012 offer:



The Doors: Live at the Hollywood Bowl

Ray Manzarek - United States – 2012 – 71'

1968, the band's peak, paints this extraordinary demonstration of rock'n'roll like one of the fine arts. An hour of the most transcendent live sound every played. "The End" and "Light My Fire", among fourteen other smashers (some unreleased). 



Hungarian Rhapsody: Queen Live In Budapest '86

János Zsombolyai - Canada, Hungary, United States – 2012 – 92'

Ok, so maybe Queen didn't invent stadium cock-rcok, but as you can see here they did it large. Very effin' large. 1986, 80,000 Hungarian fans, pyrotechnics a go-go, Freddie Mercury and rock riffs that would stop a train dead in its tracks. Saturday night fever. 



The Chemical Brothers: Don't Think

Adam Smith - Japan, United Kingdom – 2012 – 90'

Don't Think charters the duo's 2011 concert for 50.000 fans at the Fuji Rock Festival in Japan. Armies of toy robots, psychotic clowns, strobe-tastic lighting and a million and a half psychedelic beats. Nobody's getting out of here alive. 

If you are interested in attending just one of the concerts, come directly to the cinema before the screening (single ticket price: 6€, only cash)

» Aribau Club 1. 23:59h
10€: At Central Box Office (until 22:30h).

Los componentes de La Pegatina rompen su merecido descanso tras su última gira para presentar este proyecto, obra y milagro de Xavi Martínez Negre, "Chobichoba", y al que ha puesto voz Tomasín, a quien la banda debe más de una canción. Un año de gira con La Pegatina por España, por Europa y por el resto del mundo articula este documental, con el que de paso celebran diez años en esto de la música, y que relata las andanzas de siete músicos que sin quererlo ni beberlo se han comido el mundo a base de rumba, autogestión y adrenalina. 

1/11/12: 19:00H Encuentro con Xavi Martínez Negre "Chobichoba" y los componentes de la La Pegatina Rubén "Pegatina" Sierra, Ferran Ibáñez y Sergi López Gry, y proyección de imágenes del documental. 

» Auditori Facultat de Comunicació Blanquerna. 19:00h
Free Entrance (according to venue capacity)
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